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Santaji Jagnade : ウィキペディア英語版
Santaji Jagnade

Shri Santaji Jagnade (1624–1688) was one of fourteen cymbal players employed by Shri Tukaram Maharaja, a prominent Marathi Sant.〔(【引用サイトリンク】title=Teli Samaj Mandals )〕 Jagnade recorded several of Tukaram's Abhangs. He belonged to the Teli caste of oil producers〔(【引用サイトリンク】title=about teli samaj )〕 and is the only Saint from that caste. Jagnade was born and brought up in Sadumbare in the Maval tehsil in the Pune District. He was a Varkari, a devotee of Lord Vittala (or Vithobā), an incarnation of Lord Krishna, who in turn, is considered in Hinduism to be an incarnation of Lord Vishnu. A stamp commemorating Jagnade was released in February 2009 by the Indian Postal Service.〔(【引用サイトリンク】title=Welcome to the Indiapost Web Site )
==Life==

Sant Santaji Jagnade Maharaj was born in 1624 in Chakan village, near Debu, in Khed tehsil of Pune District, Maharashtra.
He was born to a pious, dutiful and God fearing couple Shri Vithoba Pant Mathabai.
Chakan was a famous market place. Santaji’s father Vithobapant Jagnade was engaged in the avocation of producing edible oil. Santaji grew up in a serene and blessed rural atmosphere. He also continued his ancestral business. As per the prevalent social custom of the times, he was married at the age of twelve to Yamuna and continued his business. But after marriage, he became disinterested in family life and materialistic pursuits and turned to spiritual solace through religious discourses. He took to Kirtans and Bhajans and decided to renounce all worldly pleasures to attain the sublime. Finally he left home abandoning his parents and wife.
In the company of Tukaram Maharaj, he began to write psalms, Santaji became a shadow of Tukaram Maharaj, a true spiritual companion in his religious voyage. Through his writing, he awakened the spiritual consciousness of his contemporaries. The people felt indebted to him for his devotional writings. Santaji’s Abhangs are glorified verses which illustrate his literary skills and talents.
Efflorescence of his poetic skills are evident in his poems “Shankar Deepika”, “Yogachi Wat” Nirgunachya Lavnya. “Tel Sindhu” etc. During this period arose a religious upheaval against Tukaram’s “Gatha’ from the orthodox class. Some anti-social destroyed the manuscripts of Tukaram’s “Gatha” by throwing them into the lndrayani River. Santaji was greatly pained by this boorish act and resolved to rewrite the Abhangs from his and other’s memories and restore their original glory. He accomplished this self-imposed duty by penning down his recollections of the Abhangs as far as he could remember. He toured all over Maharashtra and visited each and every village to collect copies of whatever the spiritual disciples and followers of Tukaram had noted down from his Abhangs. He made people recite the Abhangs, they had memorized and wrote them down. Santaji being the original writer of the Manuscript of Tukaram’s Gatha, it was easier for him to recapitulate the Abhangs from his memory. Thus by undertaking the laborious duty of putting bits together, he recreated Tukaram’s Gatha as recited by Tukaram and gave it a rebirth. This was the second edition of the ‘Gatha” rewritten by the original writer Santaji. Tukaram’s Gatha” lost under the waves of lndrayani, rose again to take its rightful place in the hearts of the sea of masses not because of the blessings of Goddess Saraswati alone, but due to the painstaking efforts and boundless devotion and endeavour of Santaji.

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